WaveCymbal is an attempt to make a cymbal synthesizer with banded wave-guide model. The result is more like dragging bunch of empty cans or thin metal plate on asphalt rather than cymbal.

WaveCymbal

Ordinary synthesizer with 64-fold oversampling, the same as UltrasonicRingMod. The high oversampling gives good modulation sound but high CPU load.

UltraSynth

Ring modulator with 64-fold oversampling and modulator frequencies up to 1 MHz. Phase modulation and hard clipping make the ultrasonic modulation audible.

UltrasonicRingMod

Bundle of JUCE-based effects by Takamitsu Endo: AmplitudeModulator, ClickyTransient, EasyOverdrive, ShockFlanger, SlopeFilter and TwoBandStereo (VST3).

Uhhyou Plugins JUCE

TrapezoidSynth is a monophonic synthesizer with 2 trapezoid oscillators based on PTR (Polynomial Transition Regions), 8 times oversampled to reduce high-frequency noise. 2 pitch shifters are added to make some chords.

TrapezoidSynth

SyncSawSynth is a 32 voice polyphonic synthesizer using up to 10th order PTR sawtooth oscillator. Just a basic synthesizer but very easy to make a noise similar to low battery sound of some toys.

SyncSawSynth

Effect that makes a phaser-like sound by applying a mask in the frequency domain. Besides FFT, fast Walsh-Hadamard (FWHT) and Haar transforms are available.

SpectralPhaser

SevenDelay is a stereo delay with 7th order lagrange interpolated fractional delay and 7x oversampling.

SevenDelay

Sidechain limiter that adds severe distortion: the rectified sidechain input amplitude-modulates the main input, and the sum won't clip while both peaks are under 0 dB.

RingModSpacer

Time-domain pitch shifter based on a delay, with 16x oversampling to reduce artifacts and a buffer length that can change in real time. There is no formant correction.

PitchShiftDelay

Detuning effect with 8 pitch shifters in parallel. It can spread the stereo image in a similar way to a chorus.

ParallelDetune

Comb filter with 4 delay times sharing 1 buffer. A feedback limiter keeps the output clean, and modulating delay time by feedback amplitude adds weird distortion.

ParallelComb

Ordinary phaser with a delay in the feedback path. Note events can control the all-pass cutoff frequencies and the delay time.

OrdinaryPhaser

Delay with a serial pitch shifter and frequency shifter in the feedback path, narrowing or expanding the input spectrum on each repeat. Note events can control the frequency shift amount.

NarrowingDelay

Linear phase FIR filter with 32768 taps (latency over 0.34 s at 48 kHz). Mainly for suppressing DC, and usable as a very sharp low-pass, high-pass, low-shelf or high-shelf filter.

MiniCliffEQ

Synthesizer resembling membrane percussion such as bass drum or tom tom. Self-modulation oscillation can also make some strange noises.

MembraneSynth

Snare drum-like synthesizer made of 2 MembraneSynth voices coupled by cross feedback. There is no snare wire, but modulation noise adds a similar rattling texture.

MaybeSnare

Phaser built from Schroeder all-pass filters that can use long delay times, sounding somewhere between delay and phaser. LFO and note event modulation add character.

LongPhaser

LightPadSynth is a lightweight version of CubicPadSynth. For efficiency, interpolation is changed to linear. Also pitch modulation is omitted. Instead, a delay is added for each voice.

LightPadSynth

LatticeReverb is a reverb using lattice structure. Equipped with 16 delays per channel.

LatticeReverb

L4Reverb is an extended version of LatticeReverb. This time, lattice structure has 4 * 4 * 4 * 4 = 256 sections per channel.

L4Reverb

L3Reverb

IterativeSinCluster is an additive synthesizer. This synth computes 512 sine waves for each note to make tone cluster. I somehow thought "iterative sin" is a valid term. Correct term is "recursive sine".

IterativeSinCluster

Synthesizer specialized for fast arpeggios. Restricting the oscillator period to integer sample counts is a cheap anti-aliasing trick that detunes higher notes, giving a unique texture.

GlitchSprinkler

Generic drum synthesizer using delays. It can make convincing snare and bass drum sounds; cymbal sounds are possible but not as good as lower pitched drums.

GenericDrum

Phaser whose modulation source is the feedback signal rather than an LFO. It most often sounds more like a distortion than a phaser.

FeedbackPhaser

FDNCymbal is a cymbal sound synthesizer that can also be used as an effect. Most of the metallic texture comes from a Schroeder allpass section; the FDN (feedback delay network) section makes a nice impact sound. Tremolo simulates cymbal wobble.

FDNCymbal

FDN64Reverb is a reverb equipped with a feedback delay network (FDN). However, the size of feedback matrix is 64.

FDN64Reverb

EsPhaser is a phaser with up to 4096 stages of order 2 Thiran all-pass filters. This is the same phaser used in EnvelopedSine.

EsPhaser

EnvelopedSine is an additive synthesizer that computes 64 sine waves for each note. Difference to IterativeSinCluster is that this synth has AD envelope and saturator for each oscillator. EnvelopedSine is better suited for percussive sounds.

EnvelopedSine

Synthesizer that produces a sound somewhere between a hi-hat and a triangle. The metallic texture comes from 2 all-pass loops.

DoubleLoopCymbal

CubicPadSynth is a wavetable synthesizer which uses PADsynth algorithm to generate oscillator tables. Cubic interpolation is used to get smooth sound even at inaudible low frequency range. LFO waveform can be directly drawn.

CubicPadSynth

Distortion using a self-modulating comb filter. The raw output sounds harsh, so it works best with an external cabinet impulse response. Note events can control the comb filter delay time.

CombDistortion

CollidingCombSynth is an experimental synthesizer which sounds like bowed string. Equipped with 24 Karplus-Strong string models which collide to each other. Tuning of pitch is possible, but difficult. So mostly suitable for sound effects.

CollidingCombSynth

Synthesizer suited to percussion sounds. Each voice has an 8 * 8 feedback delay network (FDN) resonator, and the static wavetable oscillator has controls specialized for making pulse trains.

ClangSynth

Monophonic cymbal synthesizer, a spin off of ClangSynth with a 64 * 64 feedback delay network for richer harmonics and a noise/pulse oscillator mix suited to cymbal sounds.

ClangCymbal

BasicLimiter is a basic single band limiter. The sound is nothing new, but the design of true peak mode is a bit luxurious.

BasicLimiterAutoMake

BasicLimiter

Ring modulator that uses the accumulated amplitude of the input signal as the phase. On simple waveforms like a sine wave it sounds similar to FM.

ryukau (39)

Uhhyou Plugins JUCE v0.2.0

SpectralPhaser v0.1.5

SevenDelay v0.1.33

PitchShiftDelay v0.2.14

RingModSpacer v0.1.8

WaveCymbal v0.1.29

TrapezoidSynth v0.1.29

UltrasonicRingMod v0.1.8

UltraSynth v0.1.12

ParallelDetune v0.1.8

OrdinaryPhaser v0.1.8

BasicLimiter v0.1.24

MiniCliffEQ v0.1.19

GlitchSprinkler v0.1.5

L4Reverb v0.1.24

AccumulativeRingMod v0.1.6

GenericDrum v0.1.6

SyncSawSynth v0.1.33

ClangCymbal v0.1.13

MembraneSynth v0.1.13

BasicLimiterAutoMake v0.1.24

ClangSynth v0.1.13

CombDistortion v0.1.8

IterativeSinCluster v0.1.31

L3Reverb v0.1.24

LatticeReverb v0.1.27

CollidingCombSynth v0.1.20

FDN64Reverb v0.1.20

EsPhaser v0.1.23

FDNCymbal v0.2.22

FeedbackPhaser v0.1.8

MaybeSnare v0.1.12

NarrowingDelay v0.1.8

DoubleLoopCymbal v0.1.3

LightPadSynth v0.1.28

CubicPadSynth v0.1.30

EnvelopedSine v0.1.29

ParallelComb v0.2.15

LongPhaser v0.1.8